Showing posts with label avant garde. Show all posts
Showing posts with label avant garde. Show all posts

Tuesday, September 11, 2007

Alchemist - Tripsis (2007)

Back in the year of our Dark Lord 2003, Austral Alien fired out of the land down under and made a rather impressive impact above the equator. With Relapse pre-orders coming with a free copy of said album, it appears that Alchemist are hoping to build upon this success with follow up Tripsis.

Alchemist really are one of few bands deserving of the 'avante-garde' tag. However, the gosssamer production, tribal drumming, spacey keyboards and ethnic flair have been slowly phased out of the foreground over the years. That isn't to say that this is a straightforward album by any means, but it contains an air of focused aggression and has lost some of the psychedelic edge. It does remain in some places however, take for instance the clean strummed echo that introduces 'Nothing In Time'. Vocally there is also a lack of some of the trademark diversity. Rarely clean, they're almost of Jourgenson-esque quality, sans distortion. It is the riff however, that takes centre stage here. It's openers 'Wrapped In Guilt' and 'Tongues and Knives' that really set the tone for the album whole. Riffs piled upon riffs piled upon subtle, barely audible leads and keyboards, all wrapped in a shroud of rapt complexity. But there's no didgeridoo.

It's still Alchemist. But if you're expecting another Organasm or Spiritech you'll come off a little dissappointed. A great album of extreme metal in its own right, but overshadowed by the superiority of its predecessors.

7/10

Sunday, August 5, 2007

Le Grand Guignol - The Great Maddening (2007)

With the unfortunate demise of Arcturus there is gaping hole left in the whimsical realms of pomposity inhabited by the black metal avant garde. Though technically a re-release, Luxembourg's Le Grand Guignol (formerly Vindsval) are clearly looking to fill said hole with their batshit insane beauty The Great Maddening.

This epic journey through eccentric fantasy is, as you would expect, all over the place. Leading us through the gates like a deranged Ringmaster is 'Circus Lausenheyser'. This riff n'synth menagerie of an introduction is presumably what Solefald's next album would sound like if Danny Elfman produced it. And then we're off. Fuzzy guitar, a variety of alternating clean/black vocals (both male and female), pianos and strings (including a shamisen) are all encased in bouncing bombast as we tour the Circe du Insanity. With some neoclassical moments reminiscent of Ensiferum and whispy synth work evocative of Hollenthon The Great Maddening is masterful slab of symphonic metal.

An avant garde symphonic metal album with hints of black metal rather than the other way around, its not as guitar led or aggressive as it's comtemporaries. However, for those dissappointed by Solefald's more recent efforts and still annoyed by Vintersorg's vocals this is the perfect album

9/10